hyoshigi

Also:       hyōsigi      hyoshige      

Contextual Associations

The hyoshigi is a concussion idiophone of the Japanese people of Japan. It is a sound effects instrument used in the kabuki theatre of Japan to “signal performers and stage personnel and to indicate the opening and closing of the curtain.” (Motegi, p. 659). It is considered an instrument developed specifically for the kabuki theatre, but it is also found outside of this context where it is used by night watchmen, fire watchers, and candy salesmen (Malm, p.225; Marcuse, p.255).

Description

The hyoshigi is comprised of two identical solid rectangular blocks of an unknown variety of hardwood (gallery #1). One of the wider faces of each block is absolutely flat (detail #1), and it is these two faces that are concussed against one another. The opposite face of each block is slightly arched (detail #2). The end of each block is marked with a Japanese character, a different one at each end (see details #3 and #4)

Player - Instrument Interface and Sound Production

The hyoshigi is sounded in two ways in kabuki performances: 1) as concussion clappers used a) pre-performance to count down the minutes to the start of the performance, and b) to accompany the opening and closing of the stage curtain and to precede any dramatic poses struck by lead characters during a performance; and 2) as percussion sticks pounded against a non-sonorous wooden board resting on the stage to accentuate fight scenes. In both cases, one block is held in each hand by the stagehand known as the kyogen-kata (Malm, p.224).

Origins/History/Evolution

Other than Motegi stating that the hyoshigi is “an instrument developed specifically for the kabuki theatre,” our sources provide no other information about the origin of this instrument. It is possible that the instrument’s use outside of the kabuki theatre predated its introduction to that context, but no sources were found that state this.

Bibliographic Citations

Malm, William P. 1959. Japanese Music and Musical Instruments. Rutland, Vermont: Charles E. Tuttle Company.

Marcuse, Sibyl. 1964. Musical Instruments: A Comprehensive Dictionary. Garden City, New York: Doubleday & Company, Inc.

Motegi Kiyoko. 2002. “Theatrical Genres: Kabuki.” In The Garland Encyclopedia of World Music v. 7. East Asia. ed. Robert C. Provine, Yosihiko Tokumaru, and J. Lawrence Witzleben. New York: Routledge, pp. 657-661.

Piggott, Sir Francis. 1971 [1909]. The Music and Musical Instruments of Japan. Unabridged reproduction of the 1909 second edition. New York: Da Capo Press [1909 second edition: Yokohama: Kelly and Walsh, Ltd.]

 

Instrument Information

Origins

Continent: Asia

Region: East Asia

Nation: Japan

Formation: Japanese

Classification (Sachs-Von Hornbostel revised by MIMO)

111.11 idiophone--concussion sticks or stick clappers: two or more are struck against each other

Design and Playing Features

Category: idiophone

Energy input motion by performer: clapping; stamping

Basic form of sonorous object/s for idiophone: block - oblong bar

Sound objects per instrument: two sounded collectively

Resonator design: no resonator

Number of players: one

Sounding principle: concussing – direct; stamping/pounding

Sound exciting agent: colliding sonorous objects; collision with non-sonorous object

Energy input motion by performer: clapping; stamping

Pitch of sound produced: indefinite pitch

Sound modification: none

Dimensions

8.9 in. length 1.3 in. width 1.45 in. height

Primary Materials

wood

Entry Author

Roger Vetter