Contextual Associations

The dung is an end-blown lip-reed aerophone that is associated with Tibetan Buddhism. Small dung such as the ones pictured here are tied to monks' robes so that they can be blown at any time to frighten away malevolent spirits. Larger dung are played in pairs from the roofs of Buddhist monasteries as part of the daily soundscape of such institutions. Etched into the decorative metal overlay of one of the horns is the image of a deer (see detail photo) the symbolic significance of which is not known.

Description

A hole is pierced in the tip of the conch shell and reinforced with decoratively etched metal plating to serve as the instrument’s mouthpiece. The natural opening in the side of the shell functions as the instrument’s bell. Further metal plating covers much of the shells exterior, leaving only a patch of the shell itself visible. A few semiprecious stones are set into the plating.

Player - Instrument Interface and Sound Production

The player holds the dung in one hand and places its mouthpiece opening against his tensed lips through which he directs an airstream, producing a single, high, piercing tone.  This is a sound-producing instrument, not a musical one.

Origins/History/Evolution

Bibliographic Citations

Helffer, Mireille. 1984. “Dung.” NGDMI v.1: 635-636.