https://omeka-s.grinnell.edu/api/items/1511
type: Item
type: MusicalInstrument
id: 1511
is public: true
owner: https://omeka-s.grinnell.edu/api/users/1
resource class: https://omeka-s.grinnell.edu/api/resource_classes/106
title: mijwiz
created: 2019-08-07T21:14:55+00:00
modified: 2019-10-29T22:41:03+00:00
media: https://omeka-s.grinnell.edu/api/media/1620
media: https://omeka-s.grinnell.edu/api/media/1622
media: https://omeka-s.grinnell.edu/api/media/1621
media: https://omeka-s.grinnell.edu/api/media/1623
item set: https://omeka-s.grinnell.edu/api/item_sets/7397
site: https://omeka-s.grinnell.edu/api/sites/1
site: https://omeka-s.grinnell.edu/api/sites/5
identifier: 2377
alternative: zummāra
alternative: zamr
provenance: Grinnell College Music Department
subject: 422.221.2
spatial: Asia
spatial: Africa
source: West Asia
source: North Africa
coverage: Turkey
coverage: Iraq
coverage: Egypt
coverage: Tunisia
coverage: Morocco
type: Turkish
type: Arab
medium: reed - cane
medium: cord - cotton
format: 12.6 in. length (with reeds) 10.5 in. length (without reeds) 8.5 in. length (fingerhole section only)
requires: Hassan, Scheherazade Qassim. 2002. "Musical Instruments in the Arab World." In The Garland Encyclopedia of World Music v. 6. The Middle East. ed. Virginia Danielson, Scott Marcus, and Dwight Reynolds. New York: Routledge, pp. 401-423. Marcus, Scott L. 2007. Music in Egypt: Experiencing Music, Expressing Culture. New York: Oxford University Press. Marcuse, Sibyl. 1975. A Survey of Musical Instruments. New York: Harper and Row. Morris, R. Conway. 1984. “‘Çifte [çifte].” NGDMI v.1: p. 369. Picken, Laurence. 1975. Folk Musical Instruments of Turkey. London: Oxford University Press. Poché, Christian. 1984. “‘Mijwiz [midjwiz, miğwiz, mizwidj; mizwij]” NGDMI v.2: p. 661. ________. 1984. “Mizmār.” NGDMI v.2: 668-669. Sachs, Curt. 1940. The History of Musical Instruments. New York: W.W. Norton. Touma, Habib Hassan. 1996. The Music of the Arabs. trans. Laurie Schwartz. Portland, OR: Amadeus Press.
contributor: Roger Vetter
language: EN
air cavity design: tubular - cylindrical with open distal end
source and direction of airstream: player exhalation through mouth into air cavity; unidirectional
energy transducer: exposed idioglot percussion (single) reed
means of modifying standing wave: opening fingerholes to reduce space or shorten length of standing wave in air cavity
overblowing utilization: not used
pitch production: multiple pitches - changing length/shape of standing waves within two cavities with fingerholes
is part of: Grinnell College Music Instrument Collection
instrument category: aerophone

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